E-Mu Xtreme Lead-1 Specifications Page 143
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Xtreme Lead-1 Operation Manual 143
Edit Menu
Filter Envelope
Filter Parameters
The Freq and Q parameters control various elements of the filter depending
on the type of filter used. See the table in the Filter Types section for details
about what the Freq and Q fields control in each filter.
Filter Envelope The Filter Envelope is normally used to control the filter frequency and has
six stages. Unlike the Volume Envelope, the Filter Envelope must be
patched to the Filter Frequency using a PatchCord. In this respect, it can be
thought of as a general purpose envelope generator which is normally
patched to control the filter. The Filter Envelope Levels can be negative as
well as positive.
FlangerLite 06 FLG Contains three notches. Frequency moves
frequency and spacing of notches.
Q increases flanging depth.
AngelzHairz 12 FLG Smooth sweep flanger. Good with vox
waves. eg. I094, Q =60
DreamWeava 12 FLG Directional Flanger. Poles shift down at low
Q and up at high Q.
MeatyGizmo 12 REZ Filter inverts at mid-Q.
DeadRinger 12 REZ Permanent “Ringy” Q response.
Many Q variations.
ZoomPeaks 12 REZ High resonance nasal filter.
AcidRavage 12 REZ Great analog Q response. Wide tonal range.
Try with a sawtooth LFO.
BassOMatic 12 REZ Low boost for basslines. Q goes to
distortion at the maximum level.
LucifersQ 12 REZ Violent mid Q filter! Take care with Q
values 40-90.
ToothComb 12 REZ Highly resonant harmonic peaks shift in
unison. Try mid Q.
EarBender 12 WAH Midway between wah & vowel. Strong
mid-boost. Nasty at high Q settings.
FuzziFace 12 DST Nasty clipped distortion. Q functions as
mid-frequency tone control.
BlissBatz 06 SFX Bat phaser from the Emulator 4.
KlangKling 12 SFX Ringing Flange filter. Q “tunes” the ring
frequency.
Filter Name Order Type Description
L1
FILTER
Freq: 2
55 Q: 019
- Table of Contents 1
- Introduction 9
- Overview 10
- Important Safety 11
- Instructions 11
- Maintenance 12
- Save These Instructions 13
- Radio and 13
- Television 13
- Interference 13
- Foreign Language Warnings 14
- - German 14
- PERSONEN 15
- - French 17
- Interférences 19
- Radio et 19
- Télévision 19
- Declaration of Conformity 20
- Connection 22
- Studio Setup 23
- 24 E-MU Systems 24
- Connection Instructions 24
- Instant 25
- Gratification 25
- R A:off USER 26
- Bank Organization 27
- Main Groove 28
- Alt. Groove 28
- BEATS TRIGGER LAYOUT 29
- EMULATOR 31
- Basic Operations 33
- Controller 35
- KNOBS DEEP EDIT 36
- 37
- R 38
- bts: Logic 39
- C01 V127 P01 39
- A:off USER 39
- To Change the Channel Pan 40
- Navigator 41
- Multitimbral 42
- Operation 42
- Arpeggiator/Beats 43
- 120 bpm (current: 182) 44
- Arpeggiator/Beats Menu 46
- SuperBEATS 46
- Beats Channel (BtsCh) 47
- Trigger Channel (TrigCh) 47
- To Play BEATS (Quick Start) 47
- Beat Busy (BtsBusy) 48
- Brings in Parts 49
- Removes Parts 49
- Negative Offset 51
- BEATS PART TRANSPOSE 52
- +00 semitones 52
- To Assign a Part to a Group 53
- To Assign the Master Riff 53
- To Set the Riff Tempo Mode 54
- C01 V127 P00 56
- A:P USER 56
- arp: Sine Drum 56
- Arpeggiator 57
- 58 E-MU Systems 58
- Note value has no effect 59
- “pattern.” 59
- 60 E-MU Systems 60
- The note-on time is used 60
- “Duration” on page 63 60
- Master Arpeggiator Parameters 61
- Key Sync 62
- Quantize 62
- Pre-Delay Duration Post-Delay 64
- User Patterns 65
- To Select the Pattern to Edit 66
- + OffsetOffset 67
- To Edit a User Pattern 68
- To Name a User Pattern 69
- Multi-Channel 70
- Arpeggiating 70
- Using a MIDI 71
- Interface to 71
- Channelize 71
- 72 E-MU Systems 72
- Master Menu 73
- MASTER VELOCITY CURVE 75
- 76 E-MU Systems 76
- Defining Master Parameters 76
- Master FXA 78
- Algorithm 78
- MASTER FXA ALGORITHM 78
- Selected 83
- 86 E-MU Systems 86
- MIDI Parameters 86
- Current Multisetup 88
- Program /Preset Map 88
- All User Tuning Tables 88
- Multimode Map 88
- SEND MIDI SYSEX DATA 89
- Summing Nodes 92
- Envelope 95
- Generators 95
- Oscillators 97
- Negative Amount 98
- LFO Wave 98
- Triggered LFO 98
- Modulation 100
- Destinations 100
- Processor 101
- Flip-Flop 102
- Quantizer 102
- Lag Inputs 102
- Processors 103
- Real Rocket Science 104
- Velocity ~ 105
- 106 E-MU Systems 106
- Programming Basics 106
- Preset Modulation Processors 106
- Dynamic 109
- Low Pass 110
- Low Q Med Q High Q 111
- Frequency 112
- Amplitude 112
- Parametric 113
- 114 E-MU Systems 114
- Dynamic Filters 114
- Instrument 115
- Z-Plane Filter 115
- MIDI Channels 116
- Real-time 116
- Controls 116
- MIDI BANK SELECT 118
- Stereo Mix 119
- Send (1-4) or to “Preset” 120
- Edit Menu 121
- PRESET NAME 122
- syn: VOSIM-Voc 122
- Four Layer 123
- Architecture 123
- Defining 124
- Parameters 124
- Edit Menu 125
- Defining Layer Parameters 125
- C0 C1 C2 C3 C4 C5 C6 126
- Switch Switch Switch 126
- Defining the Velocity 128
- Crossfade Range 128
- 3 128
- Increasing Velocity0 129
- Layer 2Layer 1 129
- 130 E-MU Systems 130
- Realtime Control Value 131
- 127112968064483216 131
- 132 E-MU Systems 132
- 134 E-MU Systems 134
- = Initial Setting 135
- = Increase Master Tempo 135
- = Decrease Master Tempo 135
- Tempo-Based Envelopes 135
- (using factory envelope) 136
- ASSIGN GROUP 139
- 140 E-MU Systems 140
- Xtreme Lead Filter 141
- FILTER 143
- Freq: 2 143
- 55 Q: 019 143
- To Turn on Envelope Repeat: 144
- Low Frequency 145
- Oscillators (LFOs) 145
- (two cords) 146
- LFO Synced to 1/4 Note Clock 147
- Variation 149
- 150 E-MU Systems 150
- PatchCords 150
- Control Value Applied 151
- LFO 1 & 2 Trigger 152
- Preset Effects 155
- FXA ALGORITHM 156
- Lg Concert Pan 156
- B Effect Types 157
- 158 E-MU Systems 158
- FXB Parameters 158
- Initial Controller 160
- INITIAL CONTROLLER AMT 160
- Preset Links 163
- Programming Tutorial 165
- 166 E-MU Systems 166
- Editing Presets 166
- To Chorus a Layer 167
- To Setup the Volume Envelope 168
- Adding the Filter Envelope 170
- To Setup the Filter Envelope 170
- Changing Filter Types 172
- Envelope Repeat 173
- Linking 175
- 176 E-MU Systems 176
- Linking Presets 176
- Effects 177
- 178 E-MU Systems 178
- Effects Overview 178
- A Effect Types 179
- High Frequency Damping 180
- Feedback 180
- LFO Rate 180
- Programmed 181
- 182 E-MU Systems 182
- Master Effects 182
- Flexible Effects 184
- “multi” for the mode 185
- FX MULTIMODE CONTROL 186
- Effect B 187
- Effect A 187
- General Effect 188
- Descriptions 188
- General Effect Descriptions 189
- 190 E-MU Systems 190
- Save/Copy Menu 191
- Copying 192
- Information 192
- COPY CORDS User 193
- Source Preset 193
- To Copy a Preset PatchCord 194
- To Copy a Preset Bank 195
- Restoring 196
- Multisetups 196
- RESTORE MULTISETUP 196
- 03 Jazz Encounter 196
- To Save a Multisetup: 197
- Create Random 198
- Any User Preset 198
- To Copy a User Bank to Flash 199
- 202 E-MU Systems 202
- Front Panel 203
- Functions 203
- XL-1 Preset 204
- Categories 204
- User Bank 0, XLEAD Bank 0 205
- User Bank 1, XLEAD Bank 1 206
- User Bank 2, XLEAD Bank 2 207
- User Bank 3, XLEAD Bank 3 208
- Riff Listing 209
- Instrument Listing 212
- Trigger 221
- Trigger Layout 2 222
- Trigger Layout 3 222
- Trigger Layout 4 223
- Velocity 224
- Velocity Curves 225
- PatchCord 226
- Amount Chart 226
- MIDI Implementation Chart 227
- MIDI Device Inquiry Responses 228
- Received Channel 229
- Commands 229
- Technical 230
- Specifications 230
- Warranty 231
- Restrictions 231
- How To Obtain 231
- Warranty Service 231
- 232 E-MU Systems 232
- Appendix 232
- Numerics 233
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