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5 - Effects
Core Effects Descriptions
76 Creative Professional
Stereo Reverb
Reverberation is a simulation of a natural space such as a room or hall. The stereo
reverb algorithm is designed to simulate various halls, rooms and reverberation plates.
Decay time defines the time it takes for the reflected sound from the room to decay or
die away. The diagram below shows a generalized reverberation envelope.
After a short pre-delay period, the echoes from the closest walls or ceiling are heard.
These first echoes, or early reflections, vary greatly depending on the type of room.
Some time after the early reflection cluster ends (late reverb delay), the late reverber-
ation (a dense cloud of complex wall reflections) begins and decays according to the
time set by the Decay Time parameter.
Diffusion is the amount of scattering and density of the late reverberation cloud.
Rooms with many complex surfaces have more diffusion than bare rooms.
High frequency energy tends to fade away first as a sound is dissipated in a room. The
High Frequency Damping parameter adjusts the time it takes for the high frequency
energy to die away and thus changes the characteristics of the room. Rooms with
smooth, hard surfaces are more reflective and have less high frequency damping.
Rooms filled with sound absorbing materials, such as curtains or people, have more
high frequency damping.
The Low Frequency Damping parameter adjusts the time it takes for the low
frequencies to die away. This control adjusts the “boominess” of the room.
Parameter Description
Decay Time Sets the length of the Late Reverb. Range 1.5 to 30 seconds
Early Reflections Level Sets the volume of the initial wall reflections.
Range: 0% to 100%
Early/Late Reverb Bal Adjusts the balance between early refections and late reverb.
Range: 0% to 100%
Late Reverb Delay Sets the time between early reflections and the onset of the late
reverb cloud. Range: 1ms to 350ms
Diffusion Sets the amount of scattering of the late reverb cloud.
Range: 0% to 100%
High Freq. Damping Sets the rate at which high frequencies die away.
Range: -10.0 to +3.0 damping factor
Low Freq. Damping Sets the rate at which low frequencies die away.
Range: -10.0 to +3.0 damping factor
Time
Early Reflections
Late Reverb
- Owner’s ManualOwner’s Manual 1
- E-MU 1616/1616 2
- Digital Audio System 2
- Table of Contents 3
- 4 Creative Professional 4
- 6 Creative Professional 6
- 1- Introduction 7
- Welcome! 8
- 8 Creative Professional 8
- Inputs & Outputs 8
- All Systems Include: 9
- E-MU 1212M System 9
- E-MU 1616 System 9
- E-MU 1616M System 9
- Sync Daughter Card 9
- PatchMIx DSP 10
- 2 - Installation 11
- Connector Types 12
- ISA Slots 13
- Daughter 14
- Optional 14
- Sync Card 14
- Connecting the MicroDock 15
- Software Installation 16
- 3 - PCI Card & Interfaces 17
- The 0202 Daughter Card 18
- The MicroDock 19
- Front Panel Connections 20
- Important: When 21
- Digital Connections 22
- Rear Panel Connections 23
- Connections 24
- 26 Creative Professional 26
- 4 - The PatchMix DSP Mixer 27
- Mixer Window 28
- Mixer Block Diagram 28
- The Toolbar 29
- The Session 30
- Open Session 31
- Save Session 31
- Session Settings 31
- Consumer 32
- Professional 32
- Input Mixer Strips 34
- Mixer Strip Creation 35
- Multichannel WAVE Files 36
- Insert Section 37
- To ASIO, WAV o 38
- Physical Output 38
- Recording Playback 39
- 10203040506070 40
- To Insert a Meter 41
- Trim Pot Insert 42
- To Add a Trim Pot Insert 43
- Managing Your Inserts 44
- Main / Monitor Bus 45
- Main Section 48
- TV Screen & Selectors 49
- Sync/Sample Rate Indicators 51
- Output Section 52
- 5 - Effects 53
- FX Insert Chains 54
- The Order of Effects 55
- To Import Core FX Presets 56
- FX Edit Screen 57
- User Preset Section 58
- To Delete a User Preset 59
- To Rename a User Preset 59
- List of Core Effects 60
- Core Effects Descriptions 61
- Frequency 62
- Low Shelf Mid Band High Shel 62
- 4-Band EQ 63
- Auto-Wah 64
- Signal path = Stereo 65
- Basic Controls 66
- Feedback 68
- Freq Shifter 69
- Leveling Amp 70
- Early Reflections 71
- Late Reverb 71
- 72 Creative Professional 72
- Parameter Description 72
- Phase Shifter 73
- Speaker Simulator 74
- Stereo Reverb 76
- Vocal Morpher 77
- Phoneme A 77
- Phoneme B 77
- E-MU PowerFX 78
- Setup Cubase or Cubasis 79
- Setup E-MU PowerFX 79
- Automating E-MU PowerFX 80
- 82 Creative Professional 82
- E-MU VST E-Wire 83
- E-Delay Compensator 84
- Cubase VST or Cubasis 85
- PatchMix 85
- Grouping Tracks 86
- 6 - Appendix 87
- Using High Sample Rates 89
- Sync Daughter Card Supplement 90
- SMPTE Modes of Operation 91
- Example SMPTE Connection 92
- MIDI Time Code (MTC) 93
- Word Clock In/Out 93
- SYNC CARD 94
- E-MU 1010 CARD 94
- Digital Mixer 94
- ADAT Optical 94
- Getting in Sync 95
- OutputInput 96
- 1/8" to 1/4" 97
- Headphone Ada 97
- Grounding 98
- Phantom Power 98
- Technical Specifications 99
- Specifications: 1616 100
- PCI System 100
- Specifications: 1212 106
- Dimensions & Weight 109
- Internet References 110
- Declaration of Conformity 111
- Compliance Information 112
- Numerics 113
- 114 Creative Professional 114
- 116 Creative Professional 116
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